The Wedding Belle

The Wedding Belle

Sun & Converging Paths (The Well)

Sun & Rows of Crops (Farmers Market)
A Well as Seen from Above
Peace Sign, Balance
Overall shape feels complete, holistic, hopeful, and positive.
Sun & Converging Paths (The Well)

Sun & Rows of Crops (Farmers Market)

A Well as Seen from Above
Peace Sign, Balance
Overall shape feels complete, holistic, hopeful, and positive.
Sun & Converging Paths (The Well)
Sun & Rows of Crops (Farmers Market)

A Well as Seen from Above

Peace Sign, Balance
Overall shape feels complete, holistic, hopeful, and positive.
Sun & Converging Paths (The Well)
Sun & Rows of Crops (Farmers Market)
A Well as Seen from Above

Peace Sign, Balance

Overall shape feels complete, holistic, hopeful, and positive.
Sun & Converging Paths (The Well)
Sun & Rows of Crops (Farmers Market)
A Well as Seen from Above
Peace Sign, Balance

Overall shape feels complete, holistic, hopeful, and positive.

Stationery for The Wedding Belle
Stationery for The Wedding Belle
Stationery for The Wedding Belle
Stationery for The Wedding Belle
Stationery for The Wedding Belle
Stationery for The Wedding Belle

Full Stationery Set for The Wedding Belle by Ghost OKC
Full Stationery Set for The Wedding Belle by Ghost OKC
Full Stationery Set for The Wedding Belle by Ghost OKC
Full Stationery Set for The Wedding Belle by Ghost OKC
Full Stationery Set for The Wedding Belle by Ghost OKC
Full Stationery Set for The Wedding Belle by Ghost OKC

Business Cards for The Wedding Belle
Business Cards for The Wedding Belle
Business Cards for The Wedding Belle
Business Cards for The Wedding Belle
Business Cards for The Wedding Belle
Business Cards for The Wedding Belle

"The flat pastel colour palette, bold white borders and the fine gold foil detailing of a well drawn two weight, broadly spaced uppercase sans-serif logotype is an incredibly simple and logo-centric combination but one that feels communicatively precise, effectively resolving contemporary craft, subtle fashion sensibilities and a professional, consistent high quality without forcing a specific wedding style. While bright and distinctive, the flat panels of colour, rather than event photography, appear as an open canvas for a breadth of individualised solutions, an element built upon on-line with a portfolio labelled by the first name of each bride. The only embellishment is the mark but this, like the stationery, is reduced down well to its most communicative form, rendered with a definite duality between bell and bride that is playful without undermining the other details."

— Richard Baird, BP&O

"The flat pastel colour palette, bold white borders and the fine gold foil detailing of a well drawn two weight, broadly spaced uppercase sans-serif logotype is an incredibly simple and logo-centric combination but one that feels communicatively precise, effectively resolving contemporary craft, subtle fashion sensibilities and a professional, consistent high quality without forcing a specific wedding style. While bright and distinctive, the flat panels of colour, rather than event photography, appear as an open canvas for a breadth of individualised solutions, an element built upon on-line with a portfolio labelled by the first name of each bride. The only embellishment is the mark but this, like the stationery, is reduced down well to its most communicative form, rendered with a definite duality between bell and bride that is playful without undermining the other details."

— Richard Baird, BP&O

"The flat pastel colour palette, bold white borders and the fine gold foil detailing of a well drawn two weight, broadly spaced uppercase sans-serif logotype is an incredibly simple and logo-centric combination but one that feels communicatively precise, effectively resolving contemporary craft, subtle fashion sensibilities and a professional, consistent high quality without forcing a specific wedding style. While bright and distinctive, the flat panels of colour, rather than event photography, appear as an open canvas for a breadth of individualised solutions, an element built upon on-line with a portfolio labelled by the first name of each bride. The only embellishment is the mark but this, like the stationery, is reduced down well to its most communicative form, rendered with a definite duality between bell and bride that is playful without undermining the other details."

— Richard Baird, BP&O

"The flat pastel colour palette, bold white borders and the fine gold foil detailing of a well drawn two weight, broadly spaced uppercase sans-serif logotype is an incredibly simple and logo-centric combination but one that feels communicatively precise, effectively resolving contemporary craft, subtle fashion sensibilities and a professional, consistent high quality without forcing a specific wedding style. While bright and distinctive, the flat panels of colour, rather than event photography, appear as an open canvas for a breadth of individualised solutions, an element built upon on-line with a portfolio labelled by the first name of each bride. The only embellishment is the mark but this, like the stationery, is reduced down well to its most communicative form, rendered with a definite duality between bell and bride that is playful without undermining the other details."

— Richard Baird, BP&O

"The flat pastel colour palette, bold white borders and the fine gold foil detailing of a well drawn two weight, broadly spaced uppercase sans-serif logotype is an incredibly simple and logo-centric combination but one that feels communicatively precise, effectively resolving contemporary craft, subtle fashion sensibilities and a professional, consistent high quality without forcing a specific wedding style. While bright and distinctive, the flat panels of colour, rather than event photography, appear as an open canvas for a breadth of individualised solutions, an element built upon on-line with a portfolio labelled by the first name of each bride. The only embellishment is the mark but this, like the stationery, is reduced down well to its most communicative form, rendered with a definite duality between bell and bride that is playful without undermining the other details."

— Richard Baird, BP&O

"The flat pastel colour palette, bold white borders and the fine gold foil detailing of a well drawn two weight, broadly spaced uppercase sans-serif logotype is an incredibly simple and logo-centric combination but one that feels communicatively precise, effectively resolving contemporary craft, subtle fashion sensibilities and a professional, consistent high quality without forcing a specific wedding style. While bright and distinctive, the flat panels of colour, rather than event photography, appear as an open canvas for a breadth of individualised solutions, an element built upon on-line with a portfolio labelled by the first name of each bride. The only embellishment is the mark but this, like the stationery, is reduced down well to its most communicative form, rendered with a definite duality between bell and bride that is playful without undermining the other details."

— Richard Baird, BP&O

A Thank You Card for The Wedding Belle
A Thank You Card for The Wedding Belle
A Thank You Card for The Wedding Belle
A Thank You Card for The Wedding Belle
A Thank You Card for The Wedding Belle
A Thank You Card for The Wedding Belle

Letterhead for The Wedding Belle
Letterhead for The Wedding Belle
Letterhead for The Wedding Belle
Letterhead for The Wedding Belle
Letterhead for The Wedding Belle
Letterhead for The Wedding Belle

Cards for the Wedding Belle
Cards for the Wedding Belle
Cards for the Wedding Belle
Cards for the Wedding Belle
Cards for the Wedding Belle
Cards for the Wedding Belle

Website for The Wedding Belle
Website for The Wedding Belle
Website for The Wedding Belle
Website for The Wedding Belle
Website for The Wedding Belle
Website for The Wedding Belle

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